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Artifacts

These are the artifacts, the work I turn out. There is so much time invested in them. They were not made with a market in mind. I did try but so far this having patrons works much better. These artifacts count in my budget as advertising...

Love is love, 10-18-2017

Love is love, 10-18-2017

“Love is love” is a close-up photograph of what some people drew, early on. The work is mounted on a 12” x 16” Blicks primed and cradled hardboard panel. The sides and back are painted with the same blackboard paint used on the two torsos (in case someone would like to add things).

San Diego Fey, in the bar, 10-2-2017

Angelica Angeles

San Diego Fey, in the bar, 10-2-2017

One of three Fey pieces I created for some show

San Diego Fey, Fury...

San Diego Fey, Fury...

Technically the work is a prolonged exposure photograph printed in an archival manner.

San Diego Fey, Oracle 10-2-2017

San Diego Fey, Oracle 10-2-2017

No-Face (chalk included) 1-10-2017

No-Face (chalk included) 1-10-2017

Love this Miyazaki Character. I think it was originally called Noh Face, but, ah English simplification.

I Hate Being Used for Masturbation, 6-2017

I Hate Being Used for Masturbation, 6-2017

Burned Obsessive Thought Nipple Prints, Two of Four

Burned Obsessive Thought Nipple Prints, Two of Four

The nipple print part was done in public but in an anonymous fashion variously using a scarf, back to the crowd, or in a booth. I used high quality body paint to avoid any reactions after using acrylics on my nipples and having a real burning sensation.

Wired for Love

Wired for Love

Little remains from the piece titled Finn & Rey. The art-card/burn cards collage on front are from an interactive piece where Richard had people write down a destructive obsessive thought and make a nipple print over it (sealing it away).

Bits

Bits

Stomper (revised) 4-17-2017

Stomper (revised) 4-17-2017

Beach 4-12-2017

Beach 4-12-2017

Remix Red and No Hands

Remix Red and No Hands

I took Red and No Hands over to Balboa Park in San Diego and photographed them around the roots of a fig tree. Spent a lot of time on one version and then redid it (hence the 'remix'}.